L.A.X.

To clarify, Prelude initially had three numbering systems for its 12" singles. The 100 series, which was the earliest, went from 150-163 and did not distinguish between promotional and commercial releases. The 500 series was next, and also did not make this distinction The 600 series was reserved entirely for commercial releases and ran somewhat parallel rather that subsequent to the 500 series, as exampled by the above record where 604 had approximately (or identically) the same issue date as 527. Our archives end in 1983; the last 500 number that we have is 584 (D-Train) and the last 600 number is 651 (Black Gold), thus we are unable to comment on numbering beyond these points . Prelude (and Ocean, the Ariola sub) also used its 12" numbering system for its 'For DJs Only' double 12" sets inside LP covers., whereas AVI, Salsoul, West End etc. used their LP numbering systems. Previous L.A.X. 12" releases on Prelude were contained in such double 12" set numbered PRL D 513 and 514. "Dancin' At The Disco' was also separately issued as a promotional 12" as PRL D 504.

Also issued as a white label promotional 12" by Prelude (PRL D 527).

Baroque R&B/disco ballad, full of fancy horn triplets, dashing drums, and balls-out crooning, sounding very much like something Luther Vandross might have recorded for his "Never Too Much" LP ...only better.

The 12" is mastered to typical Prelude standards, which is to say it is well-equalized across frequencies and LOUD AS ALL GET-OUT!

One of my favorite tracks from Prelude.