Ritchie Family

 

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Ritchie Family

Disco group (1975- Present)

disco The RITCHIE FAMILY was not related, they were created. Isn't that how all families come to be, they are created? But not like this, JACQUES MORALI and RITCHIE ROME are the ones responsible for assembling this group. It was so successful, that years later CASABLANCA Records let themselves get talked into a ridiculous concept of Stereotypical Gay Fantasy Characters becoming a group, remember them, The VILLAGE PEOPLE. But that is another completely different story.

What MORALI and RITCHIE ROME did is take that PHILADELPHIA Sound to another level. Using a group that had been called HONEY AND THE BEES (Very Original?) that consisted of JEAN DAVIS, CASSANDRA WOOTEN, GWEN OLIVER and NADINE FELDER. The brain-trust revamped, and the trio of THE RITCHIE FAMILY was born. Nadine was released.

In the infant days of DISCO, 1975 was a very big year. The arrival of DONNA SUMMER and the un-veiling of THE RITCHIE FAMILY from the South Florida DISCO record company T.K.. On their MARLIN Label, they took off, setting DANCE FLOORS ablaze with their music. THE RITCHIE FAMILY dominated, starting with the reworking of a 1930's song called BRAZIL (made popular by CARMEN MIRANDA) which was a great track to dance to. It took over DISCOS and was one of the first DISCO records to get extensive airplay on TOP 40 radio stations. The New York City deejays embraced this song and soon everyone was dancing the HUSTLE to BRAZIL! This extremely popular song left everyone wanting MORE.

All THE RITCHIE FAMILY albums were "concept" albums. And there was a certain attraction to the 1930s. After the Album BRAZIL, came ARABIAN NIGHTS, again with a 30s theme. Then came AFRICAN QUEENS. All these albums featured a 15 to 20 minute medley. The Medley from ARABIAN NIGHTS was especially good. From that LP came THE RITCHIE FAMILIES' biggest hit, THE BEST DISCO IN TOWN, which itself was a medley of the biggest DISCO hits of 1976.

MARLIN & T.K. Records made a lot of money from these albums. QUIET VILLAGE may be their best work, though it went mostly un-noticed. This "Hidden Gem" was the smoothest, best dance track they released.

By 1978, THE RITCHIE FAMILY followed JACQUES MORALI to CASABLANCA Records where their music gained a more European flavor to it. The album was called AMERICAN GENERATION and wasn't as well received as their earlier work. Their final album of the 70s had PUT YOUR FEET TO THE BEAT which did real good in DISCOS, but failed to generate excitement in the now, anti-disco radio stations that called themselves TOP 40.

As AIDS arrived, one of it's first victims was JACQUES MORALI, and subsequently, THE RITCHIE FAMILY. They were without leadership, and no creative direction. It was all over but the name. THE RITCHIE FAMILY is still around today, but with totally different women, playing the Club circuit. There is no real hope for a return to their Glory Days. Still, while they were around, we enjoyed them. THANKS!!

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YOUR COMMENTS ON Ritchie Family

probably a minor point but technically the group continued for a while after Morali's death, and the album "I'll Do My Best" is one I've grown quite fond of. It proved they could make music without Morali. And neither that album nor their "best of" collection seem to be concept albums to my ears.....
Posted by: Cory Ander | May 13, 08 | 11:47 am

You are correct Cory, neither that album nor the "Best Of" were concept albums. But like I said, THE RITCHIE FAMILY continues to perform TODAY. It has gone through a number of changes. But we all agree that their best, was with Jacques Morali. Right?
Posted by: vyniljunkie | May 13, 08 | 11:56 am

The "Brazil" LP was released in 1975, on 20th Century.

After "Arabian Nights" came "Life Is Music". It was not a concept LP. Then came "African Queens".

"American Generation" was the last LP on Marlin. This was when the member line-up, first changed. Then came "Bad Reputation" on Casablanca, which had the final line-up. The last Casbalanca LP was "Give Me A Break", in 1980.

When RCA signed "The Ritchie Family", RCA made the choice to put them with other producers. Firstly, in 1982 with Pertus & Salerni, then in 1983 with Gavin Christopher.

In 1983 Morali co-wrote and produced "Party" for Julius Green, on WestEnd Reords. And he produced "Memories" (from CATS) by DIVA, for Prelude. In 1984 he co-wrote and produced "Where Is My Man", for Eartha Kitt, on Streetwise Records.

Jaques Morali didn't die until November of 1991.

"The Village People" were created as a "brother group" to the Ritchie Family, for TK Records. Morali took them to Casablanca, after a dispute with TK. And the Ritchie Family followed in 1979, when their contract was up.
Posted by: STEPHEN L FREEMAN | May 14, 08 | 8:40 am

As always it is so cool that we can remember our times in DISCO with such clarity and emotion. I love that, we deejays are awesome, our combined knowledge of DISCO is amazing. We start somewhere, and add to it. We watch it grow, become a new entity, just like a LIVE remix!!! Cool! And Thanks! When you mention their "Brother Group", BOOM the remembrance of that time period come clearly into mind. It was a good emotion recalling those days when the VILLAGE PEOPLE were the "Brother Group". I had totally forgotten that. Too many burned brain cells. Again, thanks for reminding me.
Posted by: vyniljunkie | May 14, 08 | 8:52 am

A correction to my previous post...

Morali, Belolo, Hurtt & Rome created "The Lovers", as a Ritchie Family spin-off group.(Not the Village People.) Featuring Cassandra Wooten (from The Ritchie Family) and Victor Willis (pre-Village People), as a lead-vocal duo. They did one recording, "Discomania" (a take-off on "The Best Disco In Town"), which bombed in pre-release.

The Village People were not an actual group. But rather a studio project (though Victor Willis was the lead vocalist and Felipe Rose played the bells, on it), named to coincide with the subject matter of the LP. The title track, "Village People" being about the Gay Rights movement. This was purely a "concept LP", intended for release on TK.

It was an argument between Morali and Ray Caviano, that pulled the LP from TK, and handed it to Casablanca. (It had already been released in Germany, on Telefunken.) The success of the 1st LP forced Morali & Casablanca to come-up with an actual group. The costumes and personas were created for the 2nd LP, "Macho Man".
Posted by: STEPHEN L FREEMAN | May 14, 08 | 12:57 pm

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