Discussion on record scratches...? within the Vinyl Record Care, Audio Restoration, MP3 & Computers forums, part of the General Music Discussions at DiscoMusic.com category; does it up set you when you get surface scratches on 12"'s or LP's? I know scratches make me mad ...
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#1
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| does it up set you when you get surface scratches on 12"'s or LP's? I know scratches make me mad :evil: But what do you guys do?? |
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#2
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| I record them to hard disk and remove them. :D |
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#3
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| How does this happen? I assume you need special equipment as well as a computer. Does it involve an MP3? Sorry to be so techno-ignorant. :-?
__________________ ISN'T IT NICE, SUGAR & SPICE...LURING DISCO DOLLIES TO A LIFE OF VICE.... |
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#5
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| Thanx for the info Graham. I'm definitely gonna get into this cleaning up business as I have quite a few 2nd hand records that are in a dire condition; I recently bought a copy of Debbie Jacobs' High On Your Love LP & I'm sure someone had used it as a frisby! My records never get scratched like that.
__________________ ISN'T IT NICE, SUGAR & SPICE...LURING DISCO DOLLIES TO A LIFE OF VICE.... |
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Have a nice day, -Nitro- |
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#7
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| Do you the name of a good program to convert 12" to mp3 that one could get online? Voyage :P |
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:lol: :lol: :lol: :lol: :lol: :lol: :lol: :lol: :lol: :lol: Onetime(in 80's), i did see my brother, doing this with my 7" (starsky and hutch tv.theme), because i did lost his telex -moscow disco, in an ex-girlfriend party... and Thanx too, for the info Graham.. |
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#9
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| Another good software for removing the scratchs is SoundForge (PC). ...and donīt forget the vinyls that not only were used like a frisby, someone used them like a dish to serve very Hot pizza!!! :cry: _________________________ Cerrone = Music of Life |
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| I have had great results with Steinberg Clean (now called Pinnacle Clean) and highly recomend it. http://www.steinberg.net/ProductPage...59&Langue_ID=7 |
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#12
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| SoundForge, developed and once owned by Sonic Foundry but now owned by Sony, is a magnificent program that works with any relatively fast (Pentium III or above) computer with at least 256K or better of memory. The latest versions, however, do much better with a fast processor and lots of memory. And by all means, get a decent sound card. There are a few very, very good ones out there (Audigy, Yamaha) and when you think of how little you spend on them, compared, let's say, to a good preamp or power amp, c'mon... buy the best. The neat thing about SoundForge is that you learn fast by doing. And it has plug-ins and filters on-board that will take out the clicks and pops without significantly impacting any of the other data on your records. Now, I outgrew SoundForge because, you see, it is limited to two tracks (stereo). I went out and spent beaucoup bucks on Digimarc's ProTools LE. This remarkable instrument is so complex the Berklee School of Music offers a full-credit course in its use (that'll set you back about $7,000). If you're going to invest in ProTools software, I strongly suggest you avoid the $600-$700 "MBox" interface (which really only allows you to record in stereo for all intents and purposes) and spring for the $2,000 (list price... look for sales) rack-mount interface or the studio interface with a few more features. You must have a computer with at the very least 512K memory or more; a very fast Pentium processor, a FireWire port, and Windows XP Professional. Once, however, you get all of this together, and start mixing with it (and, by the way, the LE version comes with about $1,500 worth of looping and sampling software) it's like driving a Porsche on the Autobahn. All you need is one good turntable; play all of your records into your hard-drive (that's another thing; they suggest that you utilize a separate FireWire harddrive with mega-size (80 gig or more) and do NOT record your projects onto the system drive, no matter how large). If you're not a purist; you can pre-set the mixes of one record into another, and add SFX (voices, noises etc.) if you want. However, if you ARE a purist, all you need do is have the records you want to mix on standby, cued right up to where you want 'em; and mix 'em the old school way. [I included that so as not to draw the ire of the professionals I know and respect who make it look easy]. After the fact, you can always go back and adjust things like Equalization, echo, normalization (dynamics), aggregate beats per minute, etc. In the event that a dramatic click or pop escaped the watchful eye of ProTools' filters, you can go in and clean 'em up by hand with relative ease. In fact, once you find one; you can have it look for others (invariably the waveform is nearly the same 'cause the scratch was made in the same fashion) and it erases them, too. Have fun, but be careful. ProTools is addictive. My wife says she's a ProTools widow. And it's true. |
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#13
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| I have a bad feeling about all automatic tools to remove clicks and unwanted sounds from vinyl transfers. I have tried a few and I think there are too much loss in sound quality. I ended up with manual cleaning, removing unwanted sounds one by one in fractions of 1/10 to 1/100 sec. And I'm very conservative using noice reduction (only the worst parts of the very bad records). I use Adobe Audition (Same as the last version of Cool Edit Pro) I have now transfered and "remastered" appr 1000 12", 500 7" and some albums and the soundquality is near "perfect" This has taken most of my spare time for about 8 months . So I don't have a problem with what to do on rainy days for the next couple of years.... |
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#14
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| Noman can you please mail me.. ? kaliffen2000 @ mail.dk Tack |
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