Everything I Do Gonna Be Funky Part 2 (Funk Strikes Back! Vol. 0)
Once again, Everything I Do Gonna Be Funky :). This time more "hard" 7 fast-pacing, with add of latin-flavored funk. Some world-wide back-from-the-days artists (Aretha Franklin, Gill Scott Heron, The Spinners, Herbie Hancock, Earth Wind & Fire) share this mix with modern music-makers (David Holmes, The 45 King, Masters at Work, Victor Wooten).
Style: old skool funk, latin funk, soul
Duration: 38:39.
http://music.globalbeatz.net/dj-mix-mp3/4242
http://www.musicv2.com/artist/funky_logic (192 kbs)
Tracklist
01. Bama feat. MFSB - I Got Soul & Sunnin' and Runnin'
02. Teddy Pendergrass - Close The Door
03. Aretha Franklin - Son of a Preacher Man
04. Ernie Hines - Our Generation
05. Syl Johnson - Different Strokes
06. Maceo & The Macks - Cross The Tracks (We Better Go Back)
07. David Holmes - Salut La Dolce Vita & Herbstplatte 69
08. Tony Avalon & The Belairs - Sexy Coffee Pot
09. The 45 King feat. Sly And The Family Stone - Ooh That's Funky (Funky Logic Mix)
10. Masters at Work - Get Up
11. Joe Bataan - Young, Gifted And Brown
12. Jimmy Bo Horne feat. The Last Poets - Niggers Dance Across The Floor
13. Charles Wright - You Gotta Know Whatcha Doin`
14. Gill Scott Heron feat. James Brown - The Bottle & Get On The Good Foot
14a. Victor Wooten - When I Want To Get Funky
15. Maze - Before I Let Go
16. Bob and Earl - Harlem Shuffle
17. The Spinners - I'll Be Around
18. The Gaturs - Gator Bait
18a. The Funky JBs - The Grunt Pt. 1
19. Bobby Bird - Hot Pants
20. Eddie Bo - From This Day On
21. The Coasters - Soul Pad
22. Larry and Tommy - Here Comes The Judge
23. Herbie Hancock feat. The Last Poets - Bring Down The Birds & On The Subway
24. Earth Wind & Fire - Sweet Sweetback's Theme
P.S. Old skool rap connoisseurs will hear lots of samples :)
Sorry, but this is just as bad as the first.
Why do you think DJs used to segue tracks waaaay back when 7" and LP tracks were the norm? It wasn't just because mixing hadn't been thought of. It's the only type of mixing that makes sense, with such diverse material. The great advantage of segues is that chordal/key matching considerations are irrelevant. Matching sounds/instrumentation becomes more important.
Any good mix is only attempting to be a damned fine segue anyhow. Unless you understand what crescendos are all about and how a sequence can be suddenly lifted by the very real excitement that a great segue can produce, you're never going to be a good mixer. That's without overall musicality, giving tracks enough time to work (24 tracks in 38 minutes is way too many really, eh?), so that the segues or mixes happen in the right places etc.
I'd suggest you go back in order to go forward.
BTW: It's Dusty Springfield - Son of a Preacher Man NOT Aretha Franklin's version you used.
Thanx, again!
I must admit that i don't have musical education...
P.S. What is segue?
:o
It's the way that two tracks are mixed together, by matching beat and tempo etc., in order for there to be a smooth transition from one to the other. Check out any decent disco album from the '70s.
A segue is the proper name for a chop mix, when talking in DJ terms. Think of the kind of mix you would get if you do straight editing of tracks with no overlap between them.
What is chop mix?
You know, i'm russian, so english is not my native...
P.S. Who did like this mix? :)
I think there are books on this subject, and videos.
Chop ~ Cut
No or very short overlap.Example: End one song after a 4th beat and "cut" the fader to the next song on a 1st beat.
Ok, Got it.Originally Written by Noman
P.S> What book can you recommend?
Look at www.htfr.com where I have seen both books and videos.
Bookmarks