Sorry, but this is just as bad as the first.
Why do you think DJs used to segue tracks waaaay back when 7" and LP tracks were the norm? It wasn't just because mixing hadn't been thought of. It's the only type of mixing that makes sense, with such diverse material. The great advantage of segues is that chordal/key matching considerations are irrelevant. Matching sounds/instrumentation becomes more important.
Any good mix is only attempting to be a damned fine segue anyhow. Unless you understand what crescendos are all about and how a sequence can be suddenly lifted by the very real excitement that a great segue can produce, you're never going to be a good mixer. That's without overall musicality, giving tracks enough time to work (24 tracks in 38 minutes is way too many really, eh?), so that the segues or mixes happen in the right places etc.
I'd suggest you go back in order to go forward.
BTW: It's Dusty Springfield - Son of a Preacher Man NOT Aretha Franklin's version you used.



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