I couldn't have spent 20+ years behind the turntables, if it didn't provide me with more than a few "greatest moments".
But the best are all times when I took a gamble..and it payed-off.
#2) Summer of 1983... At 13 Buttons, Miami... 6:30isham on a very hot, Miami-summer, Saturday night / Sunday morning... All the house-lights were up... We'd stopped serving an hour & a half, earlier... All 4 double-bay doors open to the parking lots... Garbage being drug out to the dumpsters... Beer coolers being cleaned...
And over 200 people still on the dance-floor
Hit-N-Run Lover --> One Monkey Don't Stop No Show (workin' the hell outta 2 copies of the 45) --> Disco Lucy --> The Best Disco In Town --> fade-out, to the most amazing sound of applause I'd ever heard.
That was one of the GREATEST 30 minutes of my entire career.
#1) Summer of 1991... I was playing my first Black Party, at PROBE LA...
Rick Nelson & I had just finished our first production with Vicki Shepard, "Hold On To My Love", but we knew it wasn't being released for another couple weeks. In Fort Lauderdale, we just mixed into a cassette we made of the final mix. But I had to have a vinyl copy for my big-time DJ, LA Premier:icon_rolleyes: So, I got an acetate cut at Miami-Tape, the week before I was to go-Hollywood.
It was another hot summer-night.
This time, at PROBE. Their in-house DJ played the first part of the night...11pm to 4am
Then they had Marlena Shaw on stage, performing the entire "Suite Seventeen".
Then, around 4:30isham, came little ol' MOI!:icon_eek:
To open after the show, I took out my cool acetate copy, of my first record production
(seriously... It was SUCH a dog-&-pony act recording. But it was the BIG-TIME to us, back then.)
And I chose a, possibly career-destroying move, and opened the "morning" with it.
I opened my first LA "morning" with it.:icon_confused:
There had to be nearly 1000 guys in the building...
The acapella choir & piano intro went over well, but I got scared by that "we don't know this" vibe, that a dance-floor can give you, especially from that many people (and no one opens the morning with something new)... They all kinda grooved to our little house beat intro... Our little Italo-groove piano (plink, plink, plink plunk, plunk), gets some hoots-n-hollarin' going...
Then Vicki starts singing the opening lines: "Today, you came by... Tellin' me you're leavin' me..."...
The moment of truth is here. Will they accept what we've done? Or (as my then-b/f suggested...) Will they turn on me with fury, for desecrating a Classic? And I was scared-shitless! I've been to clubs/events where the crowd has thrown SHOES at the DJ booth, for not being happy with the job they were doing.
After the first 2 lines of the song I hear a sound... a cheer... a roar come rumbling it's way, up from the dancefloor that's 2-3 stories below me, and pouring into the DJ booth! 1000 Men, each making their own, distinct "OMG!" sounds of approval. Whether applause, or a whistle, or tambourine, or cheering, etc... All realizing what song it was, at the exact same freakin' second!!
Okay... So, it may have only been in my mind, but...
Baby, I'd
ARRIVED!
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