Thx Marcio for placing this excerpt.
Johnny is right. The early Bohannon-sound was building on the Bo Diddley-sound. The same way of constructing a beat on infectuous guitar-rythms.
I personnally find Hamilton Bohannon one of the most underrated dance-stars. The man has made many excellent records from disco to softreggae to soul to funk.
I still have a special mixalbum where all the vintage stuff is powered by special effects. It was released by ARS-Belgium and it's very hard to find nowadays. But it kicks you in the ...
"Disco stomp/Let's start the dance/Dance your *ss off/Footstompin' music/The party train/Take the country to NY city/Bohannon's beat/Truck stop/Cut loose/The pimp walk/The stop and go": just couldn't live without 'em.
Almost nobody admits it but he influenced many musicians and was only mentioned once in a song and that was in "Wordy rappinghood" by the Tom-Tom-Club.
Great guy!



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, I wouldn't stop to like his music because of that. Céline is one of my favorite writers, so go figure.

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