Don't have any background on the man but the music is 'funk-lite' disco. Mr. Barnes is Joe Tex without the clown and Joe Simon without the emotion. It's not bad, but I think you'll put it on and say, "OK, whatever". They keep all the Casablanca frills, lots of girls in the background sometimes sounding like Saturday Night Band, fully orchestrated. The peak side is a high-120s BPM stomper, the sleaze side (all male background) runs in the 'teens'. For me though, when I call something "sleaze" it has to have a certain attitude that this doesn't. It's a low-energy dance record.Originally Written by sfbeary
Wish I could remember. I know at the Gallery it wasn't called that yet, we would just say he's 'bringing it down'. I know by '77 when I was running around with Larry Rossiello, 'sleaze' was in his vocabulary. He's the one that started me using the word.secondly, i had no idea that "sleaze" as a disco subgenre goes as far back as 1978.
when did djs and dancers start using the word "sleaze" to describe early-morning/sexy/downtempo disco?
BTW - I had to pull the lp, don't have a 12". Here's the title and track list: FOOT STOMPIN' MUSIC
SIDE 1
1. FOOT STOMP'N MUSIC 3:46 (And yes, they spell it differently here :) )
2. LOVE IN THE MOONLIGHT 3:42
3. GET ON UP AND DANCE TO THE BOOGIE (OR THE BOOGIE MAN WILL GET CHA) 5:11
4. DISCO QUEEN DANCE WITH ME 6:15
SIDE 2
1. HOLD ON, I'M COMING 5:20 (A cover of Sam & Dave's hit that comes off today as 'jazz-house'. Oddly different.)
2. GONNA MAKE YOU MY WIFE 3:09
3. YOUR LOVE IS SO GOOD 6:11
4. SUMMER SUNSHINE 3:15
Mr. Barnes wrote/co-wrote all but the Hayes/Porter number.



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