
Originally Written by
paul
It's another nice day in Diego. I'm driving with the windows down and jammin' Cocomotion in the ride. As I park the car and head to the store, this attractive woman stops me. No it wasn't for my sexy looks, :lol: :o she wanted to know what that song was. She absolutely loved it. Well I gave her the info and told her to visit this site sometime. If you're reading this hun, welcome. :D Later, I started to think Cocomotion is like the ambassador of disco music. As I said before, I've had people of different types stop and ask me about this wonderful song, not to mention dance to it as well. 8)
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Paul: :o :o :o :roll: :roll: :roll: I reckon this record IS your Nu Nu/security blanket. You deliberately put it on just before going into a car park, just to get the chance to pull a bird. :lol: :lol: :lol:
BTW: "Ooh, I like that record you were playing. What is it?";
if that isn't a come on, what is? Man, you're losing your touch.
Back to Roy Ayers.
I personally never found his records
that enticing for the dance floor, although I was sometimes alone in my assessments. Of the ones I did play:-
Running Away was a huge club hit over here. I like it only for the nice chords just before and during the vibes solo. I HATE Doo Be Doo, Run, Run, Run. ARGHH!!!
Everbody Loves The Sunshine was much played, but I always considered it more of a radio play. BTW: I remember playing RAMP not Roy Ayers. Was there a difference?
Don't Stop The Feeling was a biggish hit for him and a more genuine attempt at a disco record. Nagging disco funk that I played an awful lot, but now a little over repetitive for my liking.
Heat Of The Beat with Wayne Henderson was a truly genuine attempt at a Disco record and had many fans. I played it a fair bit. However, this records just lacked something for my money.
Latterly I've quite enjoyed:
Pooh Pooh La La if only for the 'lyrics'.
We Live In Brooklyn Baby dark textures and fearsome.
Cincinatti Growl sounds interesting.
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