I was quite into the Aleems some time ago. I've yet to find any Hendrix recordings they're credited on, though they're supposed to have played percussion for him during his Band Of Gypsys period. They (Tunde-Ra & Taharqa) were known then as the Allen Twins (probably their birth name) and performed as The Ghetto Fighters.
They had a single on Warner Brothers in 1976 as Prana People, called 'Is Your Life A Party', which sounds like a slightly discofied Funkadelic. The following year it appeared on their self-titled LP for Earl 'The Pearl' Monroe's Pretty Pearl label, in conjunction with Prelude. It's a bit of a strange affair, with slighty Star Trek-y disco fusion(!) ranging through to straight-up Bobby Womack influenced soul. It takes a little getting used to! Also worth noting that the aforementioned Monroe would later sign a young Curtis Hairston and release his debut 12", 'Summertime' - which was co-written and produced by the then 'Fantastic' Aleems, who, with the same backing track (probably played by themselves) and with Leroy Burgess on vocals, released their own version on Nia in 1980 as High Frequency.
They started Nia ("purpose") in 1979 and their first single for the label was 'Hooked On Your Love', which they obviously had a lot of faith in because I can think of no other record from the disco period which was re-mixed so many times - there are something like 5 mixes in total, largely by John Morales and there was an RCA issue which was mixed by Rick Gianatos.
Later came 'Shake' as Alias, followed by a remixed, revoiced version ('Moving To The Beat') as The Fantastic Aleems, feat. Corky Hodges. In 1982, they released one of their most popular records, 'Get Down Friday Night' - another contender for the multi-mix award. This title provided the first remix opportunites for John Morales and Sergio Munzabai as the team, 'M&M'. This song was followed by an album of African percussion. Around this time, the brothers provided backing vocals for a gospel single by Billy Jones, whom they would later sign to Nia for the very Burgess influenced 'I Can't Wait To Break'.
The rest of the '80s saw the rise and fall of Nia in the hip hop/electro arena (though it re-emerged as Konkrete in the early '90s) and the release on two further Aleem LPs, though both were fairly unsuccessful.
I recently read that the brothers had signed a deal with Tuff City, though I have no idea whether it involves their back catalogue, new product or both.



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