will be a big seller next month, despite the fact that CDs in general are rapidly becoming a thing of the past? If they had a lot of previously unreleased tracks I'm sure that would guarantee their success......
It`s hard to predict. But in the last few weeks - I`ve never seen so many Beatles CDs in used record shops.Seems like people are getting rid of their copies in order to buy the new re-mastered versions.
I,myself,have rediscovered the Beatles after buying (and playing to death) the Love CD/DVD. George Martin (and son) did an amazing job on the album.
And I also truly enjoyed Across the universe,too.
The liner notes in the new copies are supposed to be amazing,though.
Last edited by kdavid13; August 28th, 2009 at 12:25 PM.
KRIS
Yes, they will be big sellers. In fact, they already are, and they haven't been released yet. Several major online shops are already sold out of the stereo and particularly mono box sets, and aren't taking any more pre-orders. Plus the video game will be a huge boost too. And it's not like these albums ever stopped selling either.
I'm annoyed that the mono mixes of the albums are only available in the limited-edition box set. Up until the white album, the mono versions are generally far superior to the stereo ones. But I don't care for much of anything the Beatles did before 1966. Really, I just want Revolver, Sgt Pepper, and Magical Mystery Tour in mono...
In a sense, they do have a lot of long-unavailable material.
- The first four albums are being issued in stereo for the first time (in the case of the first two albums, it's in nearly unlistenable, instruments-in-one-channel, vocals-in-the-other, now-you-know-why-George-Martin-insisted-they-be-issued-in-mono-back-in-87 stereo, but stereo nonetheless).
- All of the albums which had different (and much better!) mono mixes are being issued in a limited edition box set, along with vintage unreleased mono mixes of a few songs.
- The original stereo mixes of Help and Rubber Soul are being included in the mono box. The previous -- and now standard -- CD versions were actually remixes George Martin did in 1987, and the original stereo mixes didn't appear on CD (except in Canada, where apparently the wrong masters were sent to the CD pressing plant).
Bruno: you and I think alike, I still don't quite understand what people thought was so great about songs like "She Loves You" or "Help" but I thought their later output was brilliant. I'm curious to know why certain albums are being excluded from this box, like "Love", "Rock and Roll Music" and "Live at the BBC". I also seem to remember a similar box set being released many many years ago that cost about $1500 or some ridiculous figure and it sold out and is now a collectors item, so I'll probably buy one of the new boxes just in case that happens again. But about 10 years ago I started collecting Beatle albums and now my collection is bursting at the seams. I even have multiple copies of the same album, including 3 copies of "Revolver" and 2 of the White Album. Kinda hard to believe they don't have a whole lot of unreleased material....it seems lots of groups do.
did you hear that haunting version of "Because" in the movie Kevin Spacey movie (can't remember the title of the movie right now)....I thought it was beautiful. And why do you suppose the tribute show "Come Together....a night of John Lennon's Music" has never been released on DVD? It has some magical performances on it (most of which are on YouTube but an official release would be nice). Sean Lennon was astonishing.
Because they aren't part of the original canon, so to speak. Love is a 21st-century mash-up. Rock 'n' Roll Music was a redundant compilation put out in the mid-70s, much like the equally needless Love Songs. Live at the BBC only came out in 1994.
Granted, there are a few inconsistencies like the '87 remixes of Help and Rubber Soul, as well as the fact that Magical Mystery Tour as we now know it was a North American release. The original UK was just an EP, although it was later changed to the US version, but even then the now-standard mix of "Strawberry Fields Forever" wasn't done until 1971 or something like that.
There was the "blue box" from the early 80s, which was simply regular UK copies of their albums, although this was sought in the US because Americans only had the Capitol versions with the butchered tracklistings, added reverb, and wonky EQ. It's sought-after because all Beatles LPs after 1987 were digitally-sourced, but it's not *that* valuable.
Much more sought-after was the mono box, which was the the only time the mono versions had been available since about 1970, and also the last time they were issued until now. Also, many of the records were made using the original UK stampers from the 60s.
No group's recordings have been as exhaustively documented as The Beatles, and there's very little unreleased material left. Most of what's sitting in the vaults is just alternate takes and minor mix variations. The one big exception is Live At The Hollywood Bowl, which hasn't been reissued simply because they thought it sounded dreadful.
There are so many different versions and alternate mixes that were put out, they should make an extra CD just of those, a la Rarities. The US version of I'm Looking Through You with the false start, for example. Or the longer ending of And I Love Her, or the longer version of I'll Cry Instead. The US Magical Mystery Tour cassette I have is different from the CD in that the B side is mainly fake stereo versions of the mono mixes with the exception of Strawberry Fields Forever. And All You Need Is Love runs some 5 seconds or more longer than the stereo mix on the CD version.
I've always been fascinated with alternate mixes and interpretations of the Beatles material. One track they should have put out as part of Anthology was Aerial Tour Instrumental, which was the early mix of Flying. The Lost Lennon Tapes played quite a few alternate mixes, which I think were from John's collection of acetates. I don't know if those mixes were one-offs for the acetate pressings, and were not actually saved on master tape.
I was hoping to get the mono discs, because of the different mixes from the stereo versions, but the price is kind of high. The only Beatles set on CD I invested in was that EP collection. It wasn't all that great or different, but the mono mix of the Magical Mystery Tour did have a couple of tracks that sounded slightly different from the stereo mix, like I Am The Walrus.
Like I said, it would have been nice if they had put those alternate mixes as a Bonus CD of rarities or even just as extras on each album. I think the only CDs that are going to have extra tracks are Help and Rubber Soul monos, which will contain the 1960s stereo mixes as a bonus.
Disco Funk
Actually, when you listen to Please Please Me, the stereo separation is pretty good. Sure, the vocals are off on one side, but the instruments are spread out evenly across both channels. It's With The Beatles where it's really bad, with instruments-only on one channel, and vocals only-on the other. The one exception on that LP was Money, which for some reason was put in a well-balanced mix and I think the vocals are even centered. It almost sounds like it was a 4 track recording, but I haven't read anything that points to that being the case. I think I Want To Hold Your Hand is considered the first song they did with 4 tracks.
Disco Funk
I'm not familiar with Pet Sounds so I couldn't say whether the mono version is a genuine mono mix or merely a fold-down.
To answer your question, it depends on the original song, but generally, the monos are more focused, punchier, better instrument balance, and better editing. A few have effects that are not on the stereo versions (like flanging on some of the vocals on "Lucy In The Sky With Diamonds", the "cluck" guitar at the end of "Good Morning, Good Morning").
In the case of the 2-track recordings, the stereo is nearly unlistenable: vocals in one channel, instruments in the other. Painful in headphones. Most of the Beatles other material was done on 4-track, and that's simply not enough to create a convincing stereo spread.
I think Brian Wilson was the person who either mixed Pet Sounds or oversaw it's mixing. From what I understand, he was deaf in one ear, so mono was the only way he could really hear it. I don't know if he had a hand in mixing the stereos or if they left it up to the engineer to do it.
I've heard similar things about the Beatles recordings. In some cases (I think probably from '65 onwards), the guys were there at the time the monos were mixed, but when the stereos were mixed, they didn't hang around and left it up to the engineers.
With that Yellow Submarine Song Track record, they tried to make the mixes more balanced by doing stuff like putting the drums down the middle. But I think certain things were lost in the process. Like on Hey Bulldog, I liked the 'thunk' sound of the bass as the strings were plucked on the original mix, but on the song track, the plucking was gone. All you got was the 'ambient' bass sound. With the exception of With The Beatles and I think the original mix of Rubber Soul and some Help! tracks, I think the instruments are reasonably well balanced for 60s recordings.
I haven't bought Love, but I've heard snippets, and it's just a bunch of samples of beatles tunes layered on top of each other. It's cool, but it's not music the beatles intended to make.
Disco Funk
no one in my area is doing that....funny how people have different buying and selling habits in different areas. Where I live in Northern California, vinyl albums by the Beatles, Pink Floyd, Led Zeppelin and Black Sabbath command high prices, often about twice as much as the readily available CD versions of the same titles.
Getting rid of the CDs before having the new ones is a bad idea. Suppose they really mucked it up and the previous release was better? I know that's a stretch, considering those CDs were more than 20 years old, but it could happen. I know with DVDs, sometimes a previous version turns out to have been done better than a later release.
Disco Funk
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