I wouldn't talk about a Disco or discos demise, 'cause energy cannot be destroyed, it only transforms :icon_exclaim:. But talking about sex and race, let me quote The New York Times, on the subject of a 2003 exhibition called ''Disco: A Decade of Saturday Nights".
The basic gay influence on disco was always apparent (Mr. Weisbard [one of the creators of the show] said it was illegal until the 1960's in New York for men to dance together), but, he said, there was always a clear racial element. In the 1960's, he added, the counterculture listened to a blend of white and black music. By the 1970's this racial mix was becoming undone.
''Rock got white and whiter at the same time that disco was emerging,'' he said. Popular rock groups like Led Zeppelin and the Eagles were heard on FM radio. Disco emerged mostly on AM stations, which played black and Latino music.
''Most rock singers were white men, while the classic disco singer was a black diva,'' Mr. Weisbard added. ''Things happened in opposition to each other. FM became classically rock, almost exclusively white. It was about as segregated a form of popular music as we've ever had. Disco was exactly the opposite case.''
To the curators of the show the racial as well as sexual component of disco was an unspoken and inescapable issue that bothered some rock 'n' rollers. ''Unlike rock music, whose ideal audience is teenage white male, disco brought together young and old, black and white, gay and straight,'' said Mr. Walters, the Rolling Stone critic. ''It didn't follow any rules other than it had to be danceable."
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So dance, c'est bon!
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