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Thread: How many producers does it take to replace Holland-Dozier-Holland?

  1. #1
    remicks's Avatar
    remicks is online now Double Platinum Record [Level 9]
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    How many producers does it take to replace Holland-Dozier-Holland?

    ******

    First Supremes LP totally devoid of the HDH team ** :



    Love Child
    Studio album by Diana Ross & the Supremes

    Released November 13, 1968
    Recorded February 17 - October 2, 1968


    Producers:

    Berry Gordy
    Frank Wilson
    R. Dean Taylor
    Deke Richards
    Henry Cosby
    Smokey Robinson
    Nickolas Ashford & Valerie Simpson
    Marv Johnson
    George Gordy
    Harvey Fuqua
    Johnny Bristol





    Production
    credits:

    1 *Nickolas Ashford, Valerie Simpson: producers,
    "Keep an Eye", "Some Things You'll Never Get Used To", "You Ain't Livin' Until You're Lovin'"

    2 * "The Clan" (Berry Gordy, Jr., Frank Wilson, Deke Richards, Henry Cosby, R. Dean Taylor): producers,
    "Love Child"

    3* Frank Wilson: producer,
    "How Long Has That Evening Train Been Gone"

    4* Frank Wilson, Deke Richards: producers,
    "Does Your Mama Know About Me"

    5 * Deke Richards: producer,
    "Honey Bee (Keep on Stinging Me)"

    6 * Smokey Robinson: producer,
    "He's My Sunny Boy"

    7* George Gordy: producer,
    "You've Been So Wonderful to Me"

    8 * Harvey Fuqua, Johnny Bristol: producers,
    "(Don't Break These) Chains Of Love"


    9* Berry Gordy, Jr., producer:
    "I'll Set You Free"

    10 * Henry Cosby, producer:
    "Can't Shake It Loose"


    Seems Holland-Dozier-Holland were hardly missed



    (** not only are Holland-Dozier-Holland missing this time around ... but so were The Supremes sometimes ... but that's another story )

    *****
    info culled from wikipedia
    Last edited by remicks; November 28th, 2007 at 11:43 PM.
    you'd still be waiting for me at the airport
    while my ship was coming in


  2. #2
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    Re: How many producers does it take to replace Holland-Dozier-Holland?


    .

    .

    actually Rems, I own that album, and when I compare the quality of the songs on that album to the quality of the songs on the Supremes albums produced by H-D-H, I missed H-D-H a LOT. The loss of H-D-H opened up opportunities to lots of Motown's less well known producers but it was a matter of quality. Something tells me Berry Gordy either resented or was slightly jealous of H-D-H, I'm suspecting it was possibly jealously since Gordy was a writer and producer himself. And I remember that back in those days it was a bit uncommon for producers to put their names on the FRONT cover of an album but H-D-H sure did it (as did Smokey and Stevie)...but if I were a producer with the kind of gifts H-D-H had, I'd want to be recognized, also.

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