Chart Hit [Level 6]
I have a question about this early disco ditty. If you were mixing the intro of this song (when Miss Michael wails "evah, forevah, evah and evah and evah...") into the break of the previous song, what song would you pick? I envision mixing this song and for the life of me and I can't think of a song I'd choose.
"Everyone knows the real reason why you got that part it was the time you spent on that casting couch"--Antoine Merriwether
"Excuse me, Miss Thing, but both of us spent time on that couch"--Blaine Edwards
Double Platinum Record [Level 9]
*****
Originally Written by Salsoul1975
Did you ever come up with one Salsoul ??
Off the top of my head ... without putting it to the test .....GOT TO HAVE YOUR LOVE by Fantastic Four came to mind . Similar vibes in the tunes ... that shotgun punchines .....
Maybe ? .......
*****
Baby, take me
high upon a hillside
high up where the stallion
meets the sun
Chart Hit [Level 6]
I'm no deejay . . and I'm certainly no remixer, but that J5 tune (one of my faves from '75) seems to be on the same groove as another classic from '75 (Harold Melvin & the Blue Notes' version of Don't Leave Me This Way).
Just a thought . . .
Platinum Record [Level 8]
I'm thinking the best type of song is one with snare hits on every beat. Maybe the breaks in tracks like Stop & Go by Bohannon, Undecided Love by The Chequers, or Moonboots by ORS would be the way to go.
Disco Funk
Chart Hit [Level 6]
ooooh, Disco Funk . . . .great tune suggestion. I love me some "Undecided Love" on the old Scepter labelI think that "Forever" would blend excellently with that one :icon_exclaim:
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