I think that the Take It Off lp was just fantastic-- a really strong sets of tracks with great playing. I never understood why it failed to sell better. Sure, it was a change in sound for Chic, but the crafting and vocals were just as good as anything else they'd done. I did think that "Stage Fright" was a curious choice for a lead-off single-- incredible guitar work notwithstanding-- because it wasn't exactly subject matter most listeners would relate to. I always thought that "Just Out Of Reach" or "Would You Be My Baby" would've gotten a better response. My favorites were "Flashback," "Babydoll," and "So Fine."
I saw gaps in the Tongue In Chic lp, but there were genuinely sublime moments. "When You Love Someone" was such a tour de force, shifting from ballad to upbeat in the last third, with that great instrumentation. "Hey Fool" was a pop gem, again sung so feelingly by Alfa Anderson. Loved "City Lights" (loved all the instrumentals Chic did). And "I Feel Your Love Comin' On." Does any other recording get to the heart of the matter so well, sexually speaking? The upward curve and plateaus, the climax that really is a climax-- try it in the bedroom. On the other hand, I was disappointed to have yet another fake live track, and I never cottoned to "Hangin'."
I liked the bittersweet aspects of the Soup For One soundtrack, just would've liked more original material to enjoy. It was a treat to hear Fonzi Thornton in lead vocals again.
This huge Chic fan has to say that the Believer lp was a big disappointment. The artificial drums and bass just overshadowed what was so great about the organic playing of the band. This was the same problem with Edwards' solo lp. Rodgers seemed better able to depart from the band-orientation with his two albums.
I guess you can tell, I've been listening carefully to the Chic work all these years. I'm with you, their 80s had some great stuff.



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