OK, I'll bite. 8)
I'll have more to add in later posts but here are some quick things.
1 - INCLUDE BLACK PEOPLE. I've seen so many of these movies where you'll hear music from us, perhaps a few of us as background characters, but rarely in significant roles. We were there in all the clubs straight and I can bet the gay guys would say the gays as well.
2 - Work with someone familiar with the musical timeline. Sometimes the music while disco isn't accurately used for the time.
3 - Include occassional references to the "disco sucks" crowd. These are the same folks you see today doing the "Y-M-C-A" at the ballpark whenever it's played :o
I'll be back with more 8)



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The main difference between now and the past, is that if you're shrewd, you can walk away from the music biz rich. Back in the '50s '60s and '70s artists were ripped off right left and centre and left pennyless. There's the old story about George McCrae storming into his label's offices demanding payment for the hits he was having. The bosses appeased him by giving him a car :roll: That's the sort of respect you got as a hit maker.
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