
Originally Written by
eddie
It's rooted in Isaac Hayes taking Dionne Warwick and Bacharach tunes and funking them up. Of course, he still used strings and embleshed the riffs and counter-melodies even further. To not do so would be a slap in the face to the original.
Thus, dance and soul producers picked up on Hayes trend which at the time was very unique.
If this did not happen, soul music would have probably ended up more blusey and would not have crossed over. Black radio later (mid 70's) favored these string oriented tunes and turned a deaf ear to southern soul like Al Green and Stax. This was called the Southern soul embargo.
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