On 2002-07-10 10:31, Robbie wrote:
Jazz Pilgrim--
Salsoul Records wasn't much of a hit-making label machine unlike Casablanca and Polydor; for the most part, it was a label that paid more attention to the club scene, sort of like Prelude and West End. I also think it was also particular with the men BEHIND the records more so than the others. Larry Levan, Tom Moulton... Casablanca may have had Moroder/Bellotte/Morali/Jabara, but Levan and Moulton were committed to the actual club scene as opposed to just mere producing.
In the States, we pretty much have the same case as you have in England when it comes to all of these disco retrospectives. SNF, Donna Summer, Bee Gees, Village People, Gloria Gaynor, etc. It's inevitable because they were the ones who made the most impact amongst the public in those days, whether it be through record sales, airplay, TV exposure, etc. That's always the way.
I don't mind hearing the "Top 40" disco every now and then, only because the obsession with it has waned here in the past number of years. I don't want to talk about the death of disco on N.Y. radio right now because I guess that's what happens when you have too much of a good thing.
I discovered Salsoul music from WKTU and Hot 103/97, going back 10 years or so, when they would do the "classic shows" on Sunday nights. The records they played were the ones you'd hear in the clubs. Occasionally, they'd play a hit disco record or two that broke out of the clubs and spread to radio. That was a great time to hear the classics because the disco "revivial" that was to come--hadn't really "come" yet. It took another year or so for it to really make an impact here in the States--and then spread everywhere else!!
I have S.O.'s "Nice and Naasty" LP on vinyl plus "Christmas Jollies" on LP. Not to mention the S.O. Anthology CD and the 2-CD Salsoul Classics.
Salsoul will always be one of the best disco labels ever!!
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