Discussion on Brit-funk! within the Funk, Jazz, Northern Soul, Rare Grooves forums, part of the General Music Discussions at DiscoMusic.com category; Forgive me if someone has allready brought up this topic. I'll reintroduce it. :D Towards the end of the height ...
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#1
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| Forgive me if someone has allready brought up this topic. I'll reintroduce it. :D Towards the end of the height of disco, about 1978-79-ish, this fantastic genre came into being. A number of young Britons of all races created a vibrant sound for urban London (for the most part anyways) known as Brit-funk. It was made up of an amalgam of influences from our cousins in the U S of A, who indulged us with large helpings of funk and disco on some highly expensive imported albums :roll: Nonetheless, these influences encouraged a burgeoning scene to develop. And a number of groups to flourish: Level 42 Shakatak Incognito and my all time faves Light of the World All of the above groups still exist in one form or another. Others however, were not so fortunate. Anyone recall these names? Blue Feather Funkapolitan Cache David Bendeth Central Line Beggar & Co. Did anybody out there ever see any of these artists live? |
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#2
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| Of the above artist I've only seen Ingocnito live. This was back when they had just released "100 degrees & rising" and the show was absolutely awesome. Unfortunately they didn't have the faboulous Maysa Leak (this was around the time she went solo and did her album for Blue Thumb records) - but nevertheless Chris Ballin was there! Truly a great singer who deserves any kind of recognition. Unfortunately his own solo album went nowhere even though it was very good too. I'm a big fan of Shakatak too and have everything they ever did up untill their 1989 LP. I believe they're still around releasing stuff in Japan. BTW I had no idea David Bendeth was british. All I've ever heard by him is "Feel The Real". Check out the "Jazz 'n Groove Ultra Classic Mix" on the first "Lazy Dog" Ben Watt/Jay Hannan mix cd - highly recommendable (just as the original is, obviously) |
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#3
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| Remember seeing Level 42 at their debut performance at the Isle of Wight weekender, would have been around 79/80. The same time as their track "Love Meeting Love" was starting to blow up big for them. I also managed to see Light of The World & Central Line 79/81 time, and Incognito in the mid 90s. In the late 70s to early 80s I managed to check artists such as: Earth, Wind & Fire 2x Stevie Wonder (special guests Marvin Gaye & Dianna Ross) Lonnie Liston Smith Crown Heights Affair Ronnie Laws Spyro Gyro Roy Ayers Sylvester All great shows... Mark |
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#4
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| I saw Shakatak performing about 4 tracks about 5 years ago at a package concert which also featured Kool & The Gang, Imagination and some other '80s bands. Not the right crowd for Shakatak but a nice performance anyway. I don't think Blue Feather was English but as far as I know is (or was) Dutch. I only own one 12 inch of them but they recorded some funky tracks. In the Brit funk genre I also very much liked Second Image. Anyone knows whatever became of them? |
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#5
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| The first thing I did when I visited London back then was checking the small ads in the paper for Live performances of my favourite groups . I think I went to see Light of the world, I went to a gig with a group I canīt remember their name. They were very similar to Kool and the Gang but they were Brittish and had that Brit-Funk touch. I remember this because when I went there it was a club that was visited by almost only coloured people. I went there with my very blonde girfriend and she kind of stuck out in the crowd :-) I also remember seeing Breakfast Band- Extremely energetic Jazz-Funk-Calypso-fusion. I think they were based in London although they were from all parts of the world. Shakatak was one of my absolute favourites and I remember missing a performance that was the day after I went back home :-(. |
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#6
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| Quote:
Shakatak, much maligned because they were/are at the commercial end of the scene and had many hits, continue on also. I find it hard to believe that their two female members were once known as The UK Sluts. :o David Bendeth is listed in a great book The Illustrated Incyclopeadia of Black Music (Salamandar 1982) as playing a minor but significant role in the Brit-funk scene. Grab a copy if you can find one. Quote:
A blonde in a black club wouldn't stick out so much these days. :D Quote:
Some of the band members have set up their own studio, and as I recall, Mark Fisher had a minor club/pirate radio hit with a song "Love Situation" he cut with Dotty Green. |
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#7
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| Oh yes...Incognito are still around. Their recent "Who Needs Love" CD on Dome records is great. I believe there's also a new remix album out but I haven't heard it yet. on another note...I just found out I missed out on a Roy Ayers live concert over here last week :cry: I think it's the first time he's ever been peforming in Denmark, but obviously I had to find out too damn late!! :x Hate when that happens! |
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#8
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| There was some good music coming out of the UK in the late 70's/early 80's. Light of the World were good, especially "Time". Lets not forget Hi Tension - several classic tracks Brittish Hustle, Theres a Reason, Hi Tension, Funkified Freeez - Southern Freeez and Keep in Touch, both with great busy basslines. Atmosphere - maybe the best UK jazz funk act with classics like Motivation, Dancin in Outer Space, Invasion There were many good one off 12" like Hudson People "Take a Trip to your Mind", Touchdown "Ease Your Mind", Stikki Stuff "The Wiggle", Funkmasters "Love Money" Personally I always found the likes of Shakatak and Level 42 pretty bland. They make me think of naff Essex cocktail bars and guys in polyester T shirts. To be fair, some of the very early Level 42 stuff is ok, but Shakatak were the smooth jazz of brit funk.
__________________ Leather is the way forward! |
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#9
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| Quote:
Okay okay...I know Shakatak aren't everyone's cuppa tea...But I liked 'em. "Night Birds" is me all time fave. "Living In The UK" is good too. I once heard Greg Edwards saying how much he hated their "...plinky plonky sound." Different strokes I guess. Bill Sharpe's duet with Gary Numan was an unexpected little cracker. The main problem with Level 42 was, that they made too much money too quickly. Their first LP was excellent. Espesh, the track "43". As far as Light of the World go, "London Town" is their best IMHO. Hi-Tension you say? How about their brilliant "Autumn Love"? And "Peace on Earth"?. Later on in the '80s, they morphed into quite a decent pop/soul band, with a jolly version of Surface's "Happy" that springs to mind. I'd almost forgotten about Freeez and their fantastic "Flying High". "Easy on the onions" from the LP, is a cracker also. I always thought they'd sold out when I first heard "AEIOU". But all they actually did, was move on musically. I recall a few of those one-off 12inchers, like Touchdown's. Didn't one of the members, Steve Vincent, have a big dance hit with "Dirty Cash" a while back? "Jazzing and Grooving" by Cache is a good 'un, if you're looking to collect any Brit-funk. Remember some of the bandwagon jumpers like Spandau Ballet and their "Chant No.1"? Or Haircut 100 and "Favourite Shirts"? :roll: |
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#10
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I also recall (vaguely) seeing The Breakfast Band doing a PA at an All-Dayer. Probably would have been in Brighton. But my favourite British artist from this era was the wonderful Morrissey-Mullen Band. Their big club hit from 1981 (which surprised them as much as us I seem to recall) was Slipstream. I first saw them in concert in 1981 on the day that Prince Charles and Diana got married - they were awesome. And when I moved up into London in 1984, I would go most Tuesday nights to their long-standing resident gig at the Half Moon in Putney. The best night of all was a charity night when Georgie Fame was the guest of honour - now that was a great night to remember! Sadly Dick Morrissey has passed away, but Jim Mullen is still doing what he loves best I believe. Playing the guitar! :) |
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#11
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Oh, and someone mentioned Funkapolitan, who were pretty rubbish, really. But I noticed in a Sunday magazine in the UK the other week that Tom Dixon, who is now the chief designer for the Conran chain, and a well known desinger here, used to be in Funkapolitan. You learn something every day. |
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#12
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| I was lucky enough to see a few of brit funk acts live, in fact a couple that haven't been mentioned - Second Image and The Coolnotes. Though some of there records were quite poppy, they were both pretty funky live. Anyone remember The Anitiles who did "Shake", signed to Eddy Grants Ice imprint. I remember hearng them when they supported Kool and the Gang. I also saw Touchdown PA "Ease Your Mind"
__________________ Leather is the way forward! |
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#13
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| Quote:
Not mentioned so far (including some who paved the way for the British Jazz-Funk acts): Olympic Runners Heatwave (kind of British) The Real Thing Gonzalez Linx Imagination Savanna Stop Galaxy 52nd Street Junior I Level Powerline David Joseph (post Hi-Tension) Ray Carless Surface Noise Inversions No doubt a few others, but they're the ones that come to mind. |
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#14
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| I have recordings by many of the above artists & enjoyed many including Freeez, LOTW, Loose Ends, Rah Band, etc.etc. but I always found Britfunk to be inferior to the US stuff of that era in general. British people could never make truly classy or innovative dance music IMO compared to US or mainland Europe; rock music was more what Brits were about at that time. I feel that British people only started to make good dance music when we entered the late 80s /early 90s & the music was all about electronic studio wizardry, sampling & the like; witness Soul 2 Soul or KLF or Massive Attack or Beatmasters for example. British people are brilliant at fun, quirky or edgy music but totally hopeless at music that has class, style & innovation. (IMO
__________________ THERE'S AN ANGEL IN MY POCKET & I'LL KEEP MOVING 'TIL THIS FEELING GOES.... |
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#15
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| Just a question...how should we define the difference between brit funk and acid jazz stylistically? (not chronologically, since i get that part with acid jazz being more recent that brit funk) Still, a lot ove it seems very similar to me. Wonder if the early Level 42 and Shakatak would have been labelled as Acid Jazz, had it come out say 5 years later than it did? |
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