Discussion on Who Mixed First? within the Disco Music of the 70s and 80s forums, part of the General Music Discussions at DiscoMusic.com category; " Georgy Girl " was released in 1966....
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#31
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| "Georgy Girl" was released in 1966.
__________________ "Lost inside adorable illusion...." |
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#33
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#34
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| OK, "The Killing of Sister George" was released in 1968. This is the one about lesbians-- "Georgy Girl" was about a chubby Lynn Redgrave attempting to find love in swingin' London.
__________________ "Lost inside adorable illusion...." |
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#35
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#36
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I'm aware that there were clubs in Spain and France (probably Italy also) were they prefered the DJ's to play music continuously, rather than talk between tracks. Maybe it was this type of club where Quinny worked (BTW Quinny, which agency were you with?). What must be said is that it was the norm for even British DJ's (both at home and abroad) to play records continuously in the early part of the night, as the club was filling up, before going on the mic to kick the night off. There were also some Northern Soul DJ's who didn't use the mic at all. Another thing that used to happen was that UK DJ's in the pre-mixing era would often do continuous Motown or 60's Soul spots as part of the night, chopping from one record to the next in order to make their own 'medley' (something they also might do with a run of records by the same artist). I think that there's a difference between what can be described as a mixing DJ, in the full sense of the term, and a DJ who doesn't use a microphone. With regards to the evolution of mixing as we know it, all the evidence, obviously, points to New York as the source. |
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anyone with two ears can 'blend', you don't even need to cue for that, just fade in and out, Radio was doing it back in the 60's, local neighborhood kids in the early/mid 70's were blending in street corner block parties using primitive 'Mickey Mouse' mixers the size of a cigarette pack. Quote:
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#38
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| According to Frank Brewster & Bill Broughton in their book "Last Night A DJ Saved My Life" "Energized by the twist,New York's society darlings championed a series of fantastical,theatrical clubs,each more chic than the last.One in particular became the talk of America.It was called,simply,Arthur and was the Stucio 54 of the sixties jet set.It's disc jockey was a flamboyant cherub called Terry Noel He was the first DJ to mix records On a primitive setup-he just had a volume dial for each deck-he would take elements from a track and tease and taunt the crowd with them:a Jimi Hendrix guitar lick here or a Chamber Brothers acapella there-allusive whispers,barely heard fragments.Then he would slam the whole song through the mincer."People would come up to me and say,"I was listening to the Mamas and Papas and now I'm listening to the Stones and I didn't even know." I used to try some of the wildest changes without losing a beat. Of Francis Grasso they write " Whether he really had this ability right away,Francis was certainly the DJ who made beat-mixing a required skill.He was not the very first to mix, but he certainly took it to a whole new level, and could hold a blend-two songs playing simultaneously with the beats synchronized-for two minutes or more"
__________________ Different eyes see different things. Different hearts beat on different strings. But there are times for you and me when all such things agree...Rush |
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#39
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| Greg: I went out to Marbella with the former manager of my first UK club. His intention was to buy the club with his share of the UK club that had folded. However, this never happened and after about 6 months he eventually ended up back in the UK and I was left there working for a pair of ex-Belgian Congo mercenaries, one of whom was a hard nosed, pro-apartheid South African, the other a much softer, Belgian, gentle man. They had literally fled the war in the Congo with their lives, a hefty wad of cash and enough fuel in their plane to get them to southern Spain, where they crash landed. They'd headed straight for the high life in Marbella, blown too much dosh and with their last few hundred thousand pesetas thought a night club was the way to go. There weren't many Brits DJing in Spain at the time, simply because work permits were very difficult to fix up and the local Police were very unforgiving. However, every Disco/club played non-stop music, all night. After about a year in Marbella, I answered an advert in Melody Maker for a job in Mallorca, which I got. I did that for 2 further long seasons and could have done a 4th, but declined. So, no agency was involved. |
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#40
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All I can say is, that the Jet Setters of the '60s must have been total philistines (or outta their collective heads Didn't every mixing DJ do 2 minute beat mixes at some point? I remember doing such things, feeling kinda smug and then quickly coming to the conclusion, so what? Trouble for me is that Americans have a reputation of being natural born braggers, so the reality can get somewhat pushed aside. Ya know? The USA has the biggest, fastest, longest, shortest, oldest, flashiest or has the first, the very best, the most amazing etc etc. |
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#41
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| Quinny, I'm not denying that your South American guys invented beat mixing and that clubbing in Spain sometime in 1974 was a great experience. However, we're talking mid-60's to late 60's here and how beat mixing came about. It is common knowledege (or at least recognized by many authors like Albert Goldman, Bill Brewster & Frank Brougthon, Tim Lawrence, Baroni & Ticozzi, etc.) that people like Terry Noel, Francis Grasso, Nicky Siano and so on had a central role in developing and spreding beat mixing all over the world. :o Maybe providing some names and places would support your statements. e.g. DJ Jaime Fernandez Herrera from Caracas was mixing records as early as 1963 at Disco Pajaro Loco located in Calle Alfredo Gutierrez 43. :D :D 8) |
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#42
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__________________ Different eyes see different things. Different hearts beat on different strings. But there are times for you and me when all such things agree...Rush |
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#44
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| ....
__________________ Dr. Disco is now a commercial property owner. |
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#45
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| It was the movie Georgy girl. rent it and see for yourself. its truly amazing to see mixing in that era of the mid 60s... it freaked me out. its in a club and georgy girl is dancing with a guy,and then it shows 2 female dj's mixing with 2 turntables. sonic. :) |
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