Discussion on the very first disco song??? within the Disco Music of the 70s and 80s forums, part of the General Music Discussions at DiscoMusic.com category; I believe this will be a never ending discussion, but I like it. As much as I agree with most ...
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#181
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| I believe this will be a never ending discussion, but I like it. As much as I agree with most of you. After watching a Disco documentary a long time, I believed for a very long time that the Disco genre kicked off with Van McCoy's 'The Hustle' and Gloria's 'Never Can Say Can Goodbye'. I couldn't help but finding them in this thread. Now, I know better of course... (Thank God)
__________________ Let's Go Disco! |
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#182
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Here's one of the earliest philly Four on the Floors: Stay with Me - The Futures Now, by four on the floor, I'm referring to kick drums on the down and up beats (i.e. shadowing the snare drum) to produce a heavy sound on every beat. That track was from 1972. So were the Trammps singles, including this one: The mentioning of the Trammps recording is important, because they were resurrected in '75, while disco was in full swing, and remixed by Tom Moulton as the 'Legendary Zing Album'. My point is that the music didn't sound old or out-dated, unlike some of the tracks on Moulton's 'Disco Gold' LP. Sometime in late 1972, True Reflection recorded 'That's Where I'm Coming From', which was performed on Soul Train that same year, but not put out on LP until 73: That's Where I'm Coming From Then in Feb '73, the single by Fantastic Johnny C pairing 'Don't Depend on Me' / 'Waitin For The Rain' was released. Both great songs, it was the latter song that really pulsed in the four on the floor disco groove. It's hard to tell in the mono mix, but there was a stereo instrumental mix released a year later, which you can hear the instrumentation better: Waiting For The Rain But I think going back to the Spinners record is important, since it was the one that got national airplay. After that, I think Atlantic started sending it's artists to Philadelphia to try to cash in on the new sound. All of the tracks mentioned above featured the baker-harris-young rhythm section, or some small variation of it. And while I'll Be Around sounds a little too slow to be a true disco song, it was the first of its kind, and all the guys did was ramp up the BPMs, like they did on their previous 'northern soul' tracks like 'Family Affair', 'Nation Time', and 'The Robot', and even Nat Turner's Ruby Lee and You Are My Sun Sign Disco Funk |
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#183
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| Broken Record... well, maybe CLICK, well maybe CLICK, well maybe you do in a sense You seem to be focused on nothing more than the drums. Where do the strings come in? If all you have are drums, guitar, a couple horns... what you have is Archie Bell and the Drell's "Tighten Up". You are falling into that "Funk" pigeonhole again. True, the 4/4 drum beat is key but not all encompassing when it comes to the "disco sound" just like funk isn't the only kind of disco. Eric Last edited by Huffstutler; June 30th, 2008 at 01:35 PM. |
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#184
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Anyway, it probably doesn't matter whether or not I refer to them because Philly dance music had lots of strings!! :) Disco Funk |
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#185
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| True... I am thinking that most early disco songs and probably that elusive "first" had lots of strings... outside of the Philly Sound. Eric |
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