Discussion on Donna Summer's "I'm A Rainbow" album within the Disco Music of the 70s and 80s forums, part of the General Music Discussions at DiscoMusic.com category; I was listening to this cd the other day and wasn't really impressed. A lot of the songs had a ...
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#1
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| I was listening to this cd the other day and wasn't really impressed. A lot of the songs had a harder edge than her earlier stuff. This wasn't released commercially until a few years ago, but I read that bootleg copies existed back in the day. Any opinions on this album? |
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#2
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| It didn't do much for me... |
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#3
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| "Romeo" is one of the few cuts from the 80's period I can tolerate from Donna. It was due for inclusion on "I'm A Rainbow"...but made it to "Flashdance" instead. |
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#4
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| I tried on different occasions pulling this CD out and listening to it thinking, just keep an open mind and give it a chance. Didn't work --- I really don't like it. |
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#5
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| I rather liked it. :oops: Donna's version of "Don't Cry For Me Argentina" was a hot bootleg at Troc in the early 1980's. DJs would tease that they were gonna play it several days before Saturday night...so the buzzzzz would begin. "He's gonna play "Don't Cry For Me Argentina!!!! We MUST go!!!" I like "To Turn The Stone" best. I loved it on Frida's LP--never realized it was an unreleased Donna cut. :roll: The punky/rockish "Romeo" & "Highway Runner" were fun--both released on soundtracks--"Flashdance" & "Fast Times at Ridgemont High". I'll have to pull it out again---I'd step out on a limb and say anything Donna did with Giorgio was better than what she did without him--except for the Quincy LP. :P
__________________ "Lost inside adorable illusion...." |
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#6
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I completely forgot about that! We did do that at Aloha, didn't we? I do remember I was able to get Michael Neuman to dupe his reel to reel of cuts from the "I'm A Rainbow" bootleg for me, which included "Don't Cry For Me...". That made me very happy! I thought the "I'm A Rainbow" album wasn't bad. Not her best, but there were several highlights. The Quincy produced album was also very nice, as was her sessions with the Stock Aiken Waterman! |
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#7
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| Refresh my memory (my dogs are in the way and I can't get to the CD): The version of "Don't Cry..." on this CD, is it slow or is it that dance version digitized up to the point she sounds like a chipmunk? :roll: |
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#8
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| Donna's "Don't Cry For Me Argentina" is slow. They played this around closing time. BUT, since it was unavailable to the mere "punter"...we coveted it.
__________________ "Lost inside adorable illusion...." |
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#9
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#10
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| Apparantly one side of the album was originally going to be mixed together like DOnna's old album. I've heard the side was the more synth heavy side and woulda contained Melanie etc. Coulda been great. I love the album. It's not a masterpiece, but it's a great progression overall from the New Wave style of Wanderer, and was ahead of its time in 1981 IMHO. Many fans think Donna's career wouldn't have slumped as much if this hd been rleeased. E |
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#11
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| The tracks on one side segued together huh? Would've made a lot of difference! In my opinion I feel that this was not a concept album as were Donna's others which is a shame. To me it's a mish-mash of tracks recorded from several sessions without any continuity. I can listen to 50% of the album and enjoy it. As Donna was distancing herself away from the 'disco' sound, 'Rainbow' should have had a far more rock edge to it. Another Springsteen track like 'cover me' (which apparently was the first choice before 'protection') would have been great. Yes, the album was an experiment which unfortunately wasn't upto Donna's usual standards. I'm glad it was released eventually as there are several great songs on there!! eg. 'Romeo;' 'Melanie;' 'A runner with the pack; & 'leave me alone' |
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#12
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| Runenr with a Pack and Melanie were two of the songs set for the 4 song "medley" but I forget the other two-0-it was the more synth sounding ones though. While I seem to liek the album much mroe than you (overall I much prefer it to Donan Summer-Quincy Jones) I agree with you to an extent. However it's hard to judge the album as apparantly what we got wasn't completelyc ompleted E |
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#13
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| Thanks for that Eric! I am amazed how (throughout Donna's career) she doesn't appear to have had much control of her released music. Obviously, since she became born again (I'm not saying this is bad!) her music has not been a priority in her life. The last 4 years have been very quiet indeed. As a devoted fan of Donna's I am somewhat frustrated at the lack of product from her. 'You're so beautiful' hasn't been released officially and her 'Ordinary girl' set is nowhere to be seen. I know there are problems with the show etc. but why hasn't it been released? Why hasn't anything else been put out? The odd single/album track here and there says a lot about her interest in the business. There are record companies out there who would snap her up. Her heart ain't in it!!It's a big shame!!! I miss her terribly!!!!! Come back Donna!!!!!!!!!!!!!! |
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#14
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#15
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| 1. Why does it have to be a major label? There are plenty of others. Sony/Epic plugged her 'Live & more, encore' album + 'I will go with you' but they could have released another album or another single/e.p. When I say another album I mean of completely new material. Did they seriously think that a 'greatest hits - live' album would sell millions? 2. Obviously as Donna hasn't been in the charts regularly for so many years she needs to get herself known to a younger audience and to reaquaint herself with her old fans. Most record labels are suffering these days because the material they are releasing is dross! Charging $5-$8 for a CD5 with 2-5 tracks on it is a rip off. A remix version of a CD5 is a rip off as well as most of the remixes are, again dross! 'You're so beautiful' is an amazing song and as always, Donna's voice is fantastic. An album of similar material would sell better than her last outing. Obviously her record co. (and Donna) need to get behind it and push it very hard. I know there is a stigma with the radio stations who will not play her material in The U.S. In Europe she is still huge but the public think (rightly so) that she has retired. Maybe she should release any new material in Europe first and work over there to sell it, then release it in The U.S. |
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