Discussion on Was THIS the grandest "Cerrone" production ??? within the Disco Music of the 70s and 80s forums, part of the General Music Discussions at DiscoMusic.com category; ****** Originally Posted by Graham_Start You're really reaching here. You seem to think that because this is a good album, ...
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#16
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I'm not saying this is a "good album" .... I'm saying it's a great Cerrone (ish) album. His ( or whoever‘s ) best. Whether he was involved or not .... all I can say is .... one way or the other ... he never sounded better (IMO of course) And if I’m maligning anyone in my surmising .....heck let Cerrone come here and straighten it out if he's bothered about it. It's not like he's dead . As a matter of fact, I think it's about time some of these folks did show up here at the internet's premier disco website. Spend some time and share some love with those that always have and continue still to appreciate them. As for Amanda Lear …. he should too …. Until then, I can only conjecture … which is my right ... .... ***** .
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#17
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Errr, I wouldn't know a Mercedes Actros from a Smart car. Are you going on a cruise? |
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#18
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| [quote=Graham_Start;117227] Michaële, Paul and Lana Sebastian were already established producers when they created this album. quote] Absolutely. Having worked with French national icons such as Sheila and Claude Francois, it would be very odd had the team somehow agreed to put their stamp on a project secretly masterminded by Cerrone. Anyone into French pop ( via yé-yé, chansons, Gainsbourg etc) can instantly make a clear distinction between musical thematics of Jean Marc and the often bittersweet compositions of M, P and L Sebastian. |
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#19
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Seriously, just what is so Cerrone-esque about this album anyway? The melodies? Not like him at all. The orchestration? Not really, on similar in the sense that they're both in the same genre, much like loud guitars are to be found on every hard rock album. The structure? No on all counts. The ballads on side two are like nothing he's ever done. The first side is a medley, also very much unlike him, as he preferred to stretch a single song out for an entire side back then. Wow, I thought you were already being silly, but you just took it to the next level. |
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#20
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Here's a small piece of FORBIDDEN LOVE : http://www.amazon.com/Club-Floor-Cla.../dp/B00000DD2X cut #8 Check out the french horns about 3/4 thru ..... *****
__________________ Last edited by remicks; March 16th, 2007 at 10:44 PM. |
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#21
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This is 1 of my trucks so you can watch out for it the next time! BTW, peek-a-boo: ![]() ![]() Remmy, I listened to the Kane album and really, like Graham states: it's a complete different sound. But I did a search and there's indeed a connection: both artists drove Rolls Royce and guess what: they tanked at the same gas station in Paris. A big thanks to Pierre La Baguette who is now 76 years old and worked for 30 years at that garage. He remembers both of them like it was only yesterday! Merci Pierre!!!! BTW, I met Cerrone yesterday and this was his reaction after reading your post! (But me still loves ya Remmy!) |
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#22
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| Love in C Minor and Cerrone's Paradise were the best Cerrone productions imo (followed by Supernature) I have all of his vinyls and apart from Cerrone 4 'look for love' and 'music of life' and Cerrone 7 featuring Jocelyn Brown (all cuts) I never felt the goosebumps as I did in 76-77 when listening to his music, but I kept checking his career and have collected his 'vinyl output' over the decades. A grand producer he was but I have still a few doubts on the 'originality' and credit of some of his best work???!! ps: his Cerrone XVII Hysteria (2002-3) is his best album after his great 76-79 period!!! Amen to disco, Pat Last edited by Pat; March 19th, 2007 at 06:38 PM. Reason: spelling |
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#23
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| He'll be releasing a new album very soon. I wonder which direction it will take. recycling his own grooves, similar Disco or something more electro???? I also like the Brigade Mondaine soundtracks but I've never read on this board that somebody liked "The Collector" http://www.discomusic.com/cds-more/4730_0_3_0_C/ |
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#24
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| I hope he does an electro tune, hey mr scooter your truck might possibly run away with itself for a "cruise" and run over quimmy hahahahahahahahahaaaa!!!! quinny does that program car booty i think lol............... cerrone looked real good in the photo....... |
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#25
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| Ah The Collector, well, I actually like the 2nd version and live version of this Rock/Pop Opera The collector had been released as a single accompanied by an anime clip which now looks very dated. The original story/lyrics was co-written by New Wave/punk star Lene Lovich with whom Cerrone had worked on Supernature and some his subsequent work. The single as well as the album with this concept as a 3 track A-side was released 85-86 on Carrere records. A couple of years later Cerrone reworked the concept to a full album adding some extra synths and keyboards, this new version became the live show at the Eiffel Tower and from that moment on Cerrone organized many big events in open air and kept his name in the media. As I mentioned at the start of my message I never really cared for the 'thin sounding' first version but the 88 album was actually good. Brigade Mondaine, La Secte of Marrakech and Vaudou au Caraibes are patchy but the first 2 soundtracks do have some interesting tracks and of course some sampling of his own stuff or using some of his older material with another title. Typically of Cerrone. Easy money, I suppose. Pat feelmysoul |
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#26
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| in my opinion, cerrone's greatest production was 'look for love' off the golden touch lp. its stunning! |
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#27
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toto |
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#28
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| "Supernature" is an excellent album but the problem is that Remicks started a Madleen Kane topic in which he dragged Cerrone (for no obvious reason) and that this is not really a discussion on good/bad stuff by the French Discomeister Remicks seems to be vanished now after this hit and miss Rumours are that he's now concepting a new thread on the connection between Rob Zombie and Baccara. |
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#29
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| ***** Quote:
Would that be "silly" on the same level as worrying about people mistaking REAL LIFE for THE PET SHOP BOYS ??? !!!! Anyway , Videoskooter renewed my interest in this thread and this LP and now what I find even more perplexing than Cerrone's name being no where to be found on this "Cerrone" project .... is the fact that Madleen Kane's name is !!!! I'm listening to the FORBIDDEN LOVE side and can't find her anywhere !!!! You suppose Cerrone ... or someone emulating him , locked Madleen in the women's room and then rushed in the " 'Cerrone' Singers" to sing her parts ?????? *****
__________________ Last edited by remicks; March 30th, 2007 at 11:08 AM. Reason: added in this thread ....because that's what i meant in the first place ... |
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#30
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| Remicks: I think you've just taken over the crown of THE MOST INFURIATING PERSON IN THE WORLD!!!! Are ya doin' drugs, high on spirit, not thinking clearly at 6 hours past your bedtime or what??? |
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