"Hello Buenos Aires, I'm just a little stuck on you"

[KoolChris]

Hi there. I'm pretty sure this'll be a no-brainer for many here, as I believe

it's a classic. I heard this track recently, with the following lyrics:

- "Hello Buenos Aires, I'm just a little stuck on you", with "stuck on you"

repeated several times over a guitar riff. I conducted an internet search for

"Stuck on you", and all I found was Lionel Richie - I think not !!!

I'd like to know the group / singer, and the exact title, pleeeeeze!!

Correct answers will be greeted with warm regards...

[the disco kid]

it's the "Evita" art disco suite by Festival aka Boris Midney,

easily found on CD and Vinyl on Ebay, Gemm etc...

[KoolChris]

Hey, Thanks for the quick reply. I was afraid the track I liked might be related to the dopey "Don't cry for me Argentina", which I heard following the beautiful stomper I described hereabove. For some reason, I've always hated that track, be it by Madonna or others throughout the years.

Thankfully, I've managed to cop a sample (or the whole track ?) , and there's at least 12 minutes of quality music before the "Don't cry" crap kicks in...


It seems often long tracks ( by Midney, Costandinos, or Cerrone) contain at least one part that kinda spoils the rest...

I'm listening to "Follow the brightest star" (Voyage), which characterizes exactly what I'm writing of: it starts out as a sort of bland happy-go-lucky kind of music, the type you'd expect to hear in a supermarket, or in a TV movie from the '80s, around the time the main character finds out his girlfriend doesn't really have aids, cancer and leukemia after all, his son finally forgives him for being such a loser and comes back home, and he finds the cute puppy he thought was lost waiting at his doorstep; then, the style changes @ around 2:40, becoming more spacy/dreamy, and then, at 3:18, this funky keyboard scheme kicks in, which I believe, if it had constituted most of the track (keyboard pattern accompanying the lyrics throughout the track), would have made this a KILLER dance track.

Anyway, I still like the most part of the track, and I like Midney in general, so I'll go out and get the LP (I know where to get it)...